Fourth Genre https://ojs.msupress.org/index.php/FG <p>We invite you to experience <em><strong>Fourth Genre: Explorations in Nonfiction</strong></em>, a journal devoted to publishing notable, innovative work in nonfiction. Given the genre’s flexibility and expansiveness, we welcome a variety of works ranging from personal essays and memoirs to literary journalism and personal criticism. The editors invite works that are lyrical, self-interrogative, meditative, and reflective, as well as expository, analytical, exploratory, or whimsical. In short, we encourage submissions across the full spectrum of the genre. The journal encourages a writer-to-reader conversation, one that explores the markers and boundaries of literary/creative nonfiction.</p> <p>Editors: Patrick Madden and Joey Franklin, <em>Brigham Young University</em></p> en-US journals@msupress.org (Fourth Genre Editorial Office) journals@msupress.org (MSU Press System Support) Thu, 11 Apr 2024 12:40:18 -0400 OJS 3.3.0.5 http://blogs.law.harvard.edu/tech/rss 60 The Pursuit of Happiness https://ojs.msupress.org/index.php/FG/article/view/8096 Wendy Willis Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/8096 Thu, 11 Apr 2024 00:00:00 -0400 On Loving, Losing, and Mostly, “And-ing” https://ojs.msupress.org/index.php/FG/article/view/8053 <p>In <em>Lost &amp; Found</em>, Schulz meditates on the meaning of losing (your keys, your language, your mind) and on seeking and finding (answers, love, meaning in life). Both remind us that our worlds are large, mysterious and expansive. Schulz also hones in on what she misses most about her father – his inner light. Kalpana Mohan also ruminates on her own relationship with her beloved father in <em>Daddykins, </em>and along the way sheds her own inner light in the way she treats her world as expansive and inclusive. Both books beautifully illustrate that happy families can indeed be interesting and unique in their own ways.</p> Vibha Akkaraju Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/8053 Thu, 11 Apr 2024 00:00:00 -0400 Thinking Like an Essayist https://ojs.msupress.org/index.php/FG/article/view/8118 Fourth Genre Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/8118 Thu, 11 Apr 2024 00:00:00 -0400 Memory Cut https://ojs.msupress.org/index.php/FG/article/view/8023 Erin E. Edwards Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/8023 Thu, 11 Apr 2024 00:00:00 -0400 Still Life https://ojs.msupress.org/index.php/FG/article/view/7894 Monica Judge Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7894 Thu, 11 Apr 2024 00:00:00 -0400 Sea of Troubles https://ojs.msupress.org/index.php/FG/article/view/7749 Julie Marie Wade, Brenda Miller Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7749 Thu, 11 Apr 2024 00:00:00 -0400 Flattened https://ojs.msupress.org/index.php/FG/article/view/7834 Toni Mirosevich Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7834 Thu, 11 Apr 2024 00:00:00 -0400 Comfortability https://ojs.msupress.org/index.php/FG/article/view/7909 Lauren Henley Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7909 Thu, 11 Apr 2024 00:00:00 -0400 Salvation https://ojs.msupress.org/index.php/FG/article/view/7633 Kristine S. Ervin Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7633 Thu, 11 Apr 2024 00:00:00 -0400 DESSERT https://ojs.msupress.org/index.php/FG/article/view/7737 Jamie Cattanach Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7737 Thu, 11 Apr 2024 00:00:00 -0400 11 Stones and an Outlier https://ojs.msupress.org/index.php/FG/article/view/7818 Julie Lunde Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7818 Thu, 11 Apr 2024 00:00:00 -0400 The Hanker Chiefs https://ojs.msupress.org/index.php/FG/article/view/8016 ANDREW WESTOLL Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/8016 Thu, 11 Apr 2024 00:00:00 -0400 Memory, Silverback, Woman https://ojs.msupress.org/index.php/FG/article/view/7732 Jules Fitz Gerald Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7732 Thu, 11 Apr 2024 00:00:00 -0400 This is How You Protect Yourself From a Rapist https://ojs.msupress.org/index.php/FG/article/view/7779 Elizabeth Koster Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7779 Thu, 11 Apr 2024 00:00:00 -0400 Strata https://ojs.msupress.org/index.php/FG/article/view/7842 Kim Wyatt Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7842 Thu, 11 Apr 2024 00:00:00 -0400 Maundering Women https://ojs.msupress.org/index.php/FG/article/view/7934 Maria Hummel Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7934 Thu, 11 Apr 2024 00:00:00 -0400 Sentinel https://ojs.msupress.org/index.php/FG/article/view/7724 Mary Pan Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7724 Thu, 11 Apr 2024 00:00:00 -0400 Collected Pleasures of a Collector https://ojs.msupress.org/index.php/FG/article/view/7741 Tim Bascom Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7741 Thu, 11 Apr 2024 00:00:00 -0400 Waterfall Children https://ojs.msupress.org/index.php/FG/article/view/7827 <p>A lyric essay examining the death of the author's mother through personal narrative, familial history, the history of CPR, and metaphor.</p> Jen Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7827 Thu, 11 Apr 2024 00:00:00 -0400 What Water Is https://ojs.msupress.org/index.php/FG/article/view/7908 <p>"What Water Is" recounts the author's fear of water, stemming from incidents in childhood, and explores her subsequent realization that she considers and water an enemy and treats swimming as a series of battles she always loses. &nbsp;The essay also describes her simultaneous&nbsp; fascination with the power of water, which becomes a lifelong obsession. &nbsp;When in middle age she decides to try yet again to conquer the water by learning how to swim more efficiently, it finally occurs to her that water was never the enemy and cannot be conquered. &nbsp;The enemy, in fact, was always herself, her own impulse to fight such an awesome, uncontrollable force, rather than to move with the water, to surrender to it.</p> Lauren K. Watel Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7908 Thu, 11 Apr 2024 00:00:00 -0400 Tick Season https://ojs.msupress.org/index.php/FG/article/view/7733 Danielle Harms Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7733 Thu, 11 Apr 2024 00:00:00 -0400 Following the Ink https://ojs.msupress.org/index.php/FG/article/view/7796 Joan Maeda Trygg Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7796 Thu, 11 Apr 2024 00:00:00 -0400 Divination https://ojs.msupress.org/index.php/FG/article/view/7893 Faith Shearin Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7893 Thu, 11 Apr 2024 00:00:00 -0400 Behind the Fence https://ojs.msupress.org/index.php/FG/article/view/7950 <p>This is an essay about visiting the 2018 Berthe Morisot exhibition at the Dallas Museum of Art with my mother. Mt mother and I both realise that Berthe Morisot, although a celebrated Impressionist in her own time, was completely overlooked in the Western canon. I look back on my mother's life path and that of myself, and realise we were both held back in pursuing what we loved. But is it ever to late to change the past?</p> Sabine Casparie Copyright (c) 2023 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7950 Thu, 11 Apr 2024 00:00:00 -0400 Those Who Came Before https://ojs.msupress.org/index.php/FG/article/view/7730 Nafisa A. Iqbal Copyright (c) 2024 Fourth Genre https://ojs.msupress.org/index.php/FG/article/view/7730 Thu, 11 Apr 2024 00:00:00 -0400