Fourth Genre
https://ojs.msupress.org/index.php/FG
<p>We invite you to experience <em><strong>Fourth Genre: Explorations in Nonfiction</strong></em>, a journal devoted to publishing notable, innovative work in nonfiction. Given the genre’s flexibility and expansiveness, we welcome a variety of works ranging from personal essays and memoirs to literary journalism and personal criticism. The editors invite works that are lyrical, self-interrogative, meditative, and reflective, as well as expository, analytical, exploratory, or whimsical. In short, we encourage submissions across the full spectrum of the genre. The journal encourages a writer-to-reader conversation, one that explores the markers and boundaries of literary/creative nonfiction.</p> <p>Editors: Patrick Madden and Joey Franklin, <em>Brigham Young University</em></p>Michigan State University Pressen-USFourth Genre1522-3868The Pursuit of Happiness
https://ojs.msupress.org/index.php/FG/article/view/8096
Wendy Willis
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261On Loving, Losing, and Mostly, “And-ing”
https://ojs.msupress.org/index.php/FG/article/view/8053
<p>In <em>Lost & Found</em>, Schulz meditates on the meaning of losing (your keys, your language, your mind) and on seeking and finding (answers, love, meaning in life). Both remind us that our worlds are large, mysterious and expansive. Schulz also hones in on what she misses most about her father – his inner light. Kalpana Mohan also ruminates on her own relationship with her beloved father in <em>Daddykins, </em>and along the way sheds her own inner light in the way she treats her world as expansive and inclusive. Both books beautifully illustrate that happy families can indeed be interesting and unique in their own ways.</p>Vibha Akkaraju
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Thinking Like an Essayist
https://ojs.msupress.org/index.php/FG/article/view/8118
Fourth Genre
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Memory Cut
https://ojs.msupress.org/index.php/FG/article/view/8023
Erin E. Edwards
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Still Life
https://ojs.msupress.org/index.php/FG/article/view/7894
Monica Judge
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Sea of Troubles
https://ojs.msupress.org/index.php/FG/article/view/7749
Julie Marie WadeBrenda Miller
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Flattened
https://ojs.msupress.org/index.php/FG/article/view/7834
Toni Mirosevich
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Comfortability
https://ojs.msupress.org/index.php/FG/article/view/7909
Lauren Henley
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Salvation
https://ojs.msupress.org/index.php/FG/article/view/7633
Kristine S. Ervin
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261DESSERT
https://ojs.msupress.org/index.php/FG/article/view/7737
Jamie Cattanach
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-1126111 Stones and an Outlier
https://ojs.msupress.org/index.php/FG/article/view/7818
Julie Lunde
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261The Hanker Chiefs
https://ojs.msupress.org/index.php/FG/article/view/8016
ANDREW WESTOLL
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Memory, Silverback, Woman
https://ojs.msupress.org/index.php/FG/article/view/7732
Jules Fitz Gerald
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261This is How You Protect Yourself From a Rapist
https://ojs.msupress.org/index.php/FG/article/view/7779
Elizabeth Koster
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Strata
https://ojs.msupress.org/index.php/FG/article/view/7842
Kim Wyatt
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Maundering Women
https://ojs.msupress.org/index.php/FG/article/view/7934
Maria Hummel
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Sentinel
https://ojs.msupress.org/index.php/FG/article/view/7724
Mary Pan
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Collected Pleasures of a Collector
https://ojs.msupress.org/index.php/FG/article/view/7741
Tim Bascom
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Waterfall Children
https://ojs.msupress.org/index.php/FG/article/view/7827
<p>A lyric essay examining the death of the author's mother through personal narrative, familial history, the history of CPR, and metaphor.</p>Jennifer Sammons
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261What Water Is
https://ojs.msupress.org/index.php/FG/article/view/7908
<p>"What Water Is" recounts the author's fear of water, stemming from incidents in childhood, and explores her subsequent realization that she considers and water an enemy and treats swimming as a series of battles she always loses. The essay also describes her simultaneous fascination with the power of water, which becomes a lifelong obsession. When in middle age she decides to try yet again to conquer the water by learning how to swim more efficiently, it finally occurs to her that water was never the enemy and cannot be conquered. The enemy, in fact, was always herself, her own impulse to fight such an awesome, uncontrollable force, rather than to move with the water, to surrender to it.</p>Lauren Watel
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Tick Season
https://ojs.msupress.org/index.php/FG/article/view/7733
Danielle Harms
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Following the Ink
https://ojs.msupress.org/index.php/FG/article/view/7796
Joan Maeda Trygg
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261Divination
https://ojs.msupress.org/index.php/FG/article/view/7893
Faith Shearin
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Behind the Fence
https://ojs.msupress.org/index.php/FG/article/view/7950
<p>This is an essay about visiting the 2018 Berthe Morisot exhibition at the Dallas Museum of Art with my mother. Mt mother and I both realise that Berthe Morisot, although a celebrated Impressionist in her own time, was completely overlooked in the Western canon. I look back on my mother's life path and that of myself, and realise we were both held back in pursuing what we loved. But is it ever to late to change the past?</p>Sabine Casparie
Copyright (c) 2023 Fourth Genre
2024-04-112024-04-11261Those Who Came Before
https://ojs.msupress.org/index.php/FG/article/view/7730
Nafisa A. Iqbal
Copyright (c) 2024 Fourth Genre
2024-04-112024-04-11261